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The Intellectual Freedom Round Table (IFRT) provides a forum for the discussion of activities, programs, and problems in intellectual freedom of libraries and librarians.

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Challenged comics and graphic novels

  • 1.  Challenged comics and graphic novels

    Posted May 10, 2019 02:37 PM
    Hello.

    I'm sorry for the cross posting but I thought the topic would interest folks in both IFRT and GNCRT.  Challenges to comic books or graphic novels haven't received much attention here.  And I was wondering, why not?

    We know that DRAMA, the graphic novel by Raina Telgemeier continues to be among the top frequently challenged reported to ALA. THIS ONE SUMMER by Tamaki is another one, as well. 

    I know there are tools we can use from CBLDF, FTRF, NCAC, and FIRST AMENDMENT CENTER.  But how, as a community, as round table members, can we stave off the forces of censorship that target comics and graphic novels?

    Why are there private challenges? I know that sounds like a ridiculous question but it isn't.  If we want people to report more, why do we insist on having challenges resolved in private? What kind of message do we send out to the public with our practice?

    Thanks for in advance,

    Ann


    ------------------------------

    --------------------------------------------------------------------
    Ann Crewdson, MLIS
    Children's Specialist
    Issaquah/Sammamish
    East Region
    King County Library System
    P: 425.392.5430
    E: crewdson@kcls.org
    http://www.kcls.org

    Preferred Pronouns: She, Her, and Hers
    --------------------------------------------------------------------
    ------------------------------


  • 2.  RE: Challenged comics and graphic novels

    Posted May 10, 2019 08:24 PM
    Hello again.  Not too many people have been posting here so I will elaborate and find other access points.  

    I know challenges happen in private because I've read articles in newspapers and electronic communication that actually say books or comics are retained after a "confidential challenge." DIARY OF A TEENAGE GIRL is an example of a "confidential challenge"--and I still don't know the context.  How often does this happen? IMHO, having confidential challenges run counter to what we're trying to achieve.  Private challenges give people on the outside a false sense of security that there are few bans or challenges.

    We complain there is a vacuum of media attention. How would the media know unless there is a beat.   

    Tell me how many challenges are private and when are they private?

    Thanks,

    ------------------------------
    Ann Crewdson
    Children's Librarian
    Issaquah Library-King County Library System
    ------------------------------



  • 3.  RE: Challenged comics and graphic novels

    Posted May 13, 2019 09:47 AM
    Hi, Ann. In my small public library, most patrons who raise objections to material do not pursue trying to have the material removed. We train our staff to listen to the patron's complaint and explain the library's CDP and commitment to intellectual freedom in a non-jargony way, for lack of a better term. We also make sure to follow up and ask them if they are having trouble finding what they need. Most people just want to be heard. If I am interpreting "private challenge" wrong, I apologize. 

    Having lived through a major challenge to graphic novels in the adult collection (from staff members who then went public), I presume that most library administrators would prefer to resolve challenges in private before they become public. Challenges are divisive and time-consuming, but they DO happen.

    Making sure ALL staff have training on the library policies and processes as well as library ethics, particularly intellectual freedom, is essential. For graphic novels, we need to make sure we are putting titles in the appropriate collections and promoting them as such. 




    ------------------------------
    Darcy Armstrong
    Public Service Manager
    Eckhart Public Library
    ------------------------------



  • 4.  RE: Challenged comics and graphic novels

    Posted May 14, 2019 09:36 AM
    My small, public library has a Reconsideration Policy and Form that must be filled out completely and returned to the Director before we purse any further. We do not remove materials while they are being challenged, and we do not pursue anonymous complaints. We have yet to have any challenge go past an anonymous complaint. 

    I'm trying to understand the context of "confidential challenge." Does this mean the person's name making the challenge remains private to the public? Or that the challenge itself is kept within the confines of appropriate staff and library boards?

    ------------------------------
    Leigh Laney
    Assistant Director/Adult Services Librarian
    Guntersville Public Library
    ------------------------------



  • 5.  RE: Challenged comics and graphic novels

    Posted May 14, 2019 10:49 AM
    Good point about the Request for Reconsideration, Leigh. The staff training I mentioned includes knowledge of that form and how the process works. We encourage staff to engage a complaining patron first before pointing them to the form. More often than not, patrons just want to be heard. I'm not sure if that conversation reduces the number of patrons who fill out the form or if the form itself is just too much work, but we don't see a lot of submissions of that either.

    ------------------------------
    Darcy Armstrong
    Public Service Manager
    Eckhart Public Library
    ------------------------------



  • 6.  RE: Challenged comics and graphic novels

    Posted May 14, 2019 11:56 AM
    Similar to Leigh and Darcy's comments, we've done some recent reminders to staff on how to have conversations with the public about challenging materials, collection development, and library values around our collection. We also have request for reconsideration forms that can be filled out, and train our staff to use them if a patron happens to ask for one, or if the conversation they are having with them is not going to resolve the issue. Whenever a form is filled out it goes to a committee of librarians and our Chief Librarian for a final decision.  The item is never retained during the challenge process. 

    I think as far as making these issues more of a public/advocacy thing, we report challenges (the ones that come from the form) to the OIF, and we do talk widely about it with our staff so they know what's happening. 

    Recently, we started a new podcast at Brooklyn called "Borrowed" and we spoke about a challenge we had recently.  Funny thing is that we were questioning whether to say what the book was and the content that was being challenged, but in the end decided to say it.  

    And obviously, during all of this, the info about who reported the challenge was never mentioned. 

    It would be great to see how others are talking about censorship/challenges in libraries... I think we're all probably doing our own advocacy in different ways.

    ------------------------------
    Angie Miraflor
    Director of Customer Experience
    Brooklyn Public Library
    ------------------------------



  • 7.  RE: Challenged comics and graphic novels

    Posted May 14, 2019 08:16 PM
    This discussion reminds me of a discussion, when I was in college, with one of my high school English teachers; she was pursuing a master's, and her project had to do with challenged material in the English classroom.  She had looked at policies in other schools; her 'favorite' required the concerned parent to explain in detail how the book being challenged differed from all of those in the curriculum not being challenged.

    My guilty pleasure is an addiction to General Hospital; today's episode included a discussion (parents, teacher, principal) of a book available in the elementary  classroom, though not assigned, that was being challenged.  

    Best wishes,

    Pam

    --

    Pamela C. Sieving, MA, MS, AHIP
    7309 Bannockburn Ridge Court
    Bethesda, Maryland 20817
    301 263-9697 (h)   734 717-6006 (cell)




    -----
    But yield who will to their separation,
    My object in living is to unite
    My avocation and my vocation
    As my two eyes make one in sight.
    Only where love and need are one,
    And the work is play for mortal stakes,
    Is the deed ever really done
    For Heaven and the future's sakes.
        (Robert Frost:  Two Tramps in Mud Time)








  • 8.  RE: Challenged comics and graphic novels

    Posted May 15, 2019 03:45 PM
    I would assume that in many states, a truly anonymous challenge wouldn't hold up to scrutiny, at least in public libraries. It's my understanding that public library records are open to examination through sunshine and open disclosure laws, so the identity of the challenger would be able to be found out by someone who truly wanted to know, even if the library kept the name private for most of the time.

    Some libraries may be choosing to keep challenges as private as possible because the cost of negative PR could be higher than the potential benefit of having the conversation publicly. Additionally, I know that it's never occurred to some library users that they can challenge library items, so publicity of these events can increase the number of challenges or prompt coordination of people who are motivated to challenge particular item types. The particular response a library has is dependent on their situation, and their advocacy to protect their collections and ensure access may be loud or quiet.

    A challenge process is an important part of any library's collection policy. It gives both sides the chance to have an informed discussion about the item in question. It also adds time to the process, allowing emotions to drain so that people can have a steadier discussion about what is going on. Like others have said, most people just want to be heard, and I always try to thank them for their interest, especially if it's related to their family or children, saying that they are doing exactly what we want every family to do: make the right decision for their family. But we're providing access for all sorts of families.

    ------------------------------
    John Mack Freeman
    Branch Manager
    Gwinnett County Public Library
    ------------------------------



  • 9.  RE: Challenged comics and graphic novels

    Posted May 15, 2019 08:35 PM
    Edited by Ann Crewdson May 15, 2019 08:41 PM

    Hello everyone,

    I appreciate the robust discussion from GNCRT and IFRT.  I apologize if I'm working backwards.  More responses to come.

    Please hear me out about "private challenges."  And you are right, John, most libraries are afraid that a challenge to a book can be negative PR, it could affect levies and it could open up more challenges. It's a real business concern.  It's the same way with the schools--parents may complain more and teachers may start pulling their own collections--funding could be on the line. Private challenges seem the way to go. This is the pattern most have challenges to books have taken.  We tell them, please report to the OIF, the CBLDF, NCAC and all the organizations that promise to uphold intellectual freedom say "No problem.  We can handle it."  And the organizations do an excellent job!

    I am concerned, however, that inevitably this creates a bottle-neck. As "well-meaning" as organizations such as OIF, CBLDF among others are in protecting our right to read, fighting these battles for the rest of us is like holding our hands or assuming there will be a mob (all the time) if word gets out to the public. It's assuming the public can't be trusted.  Most of us are intelligent people who are capable of fighting censorship battles alongside of you.  Because everything is dealt "privately"--how can reinforcements be called to attend board meetings? How can we write public officials about what challenges to books are happening when we don't know what they are? Some challenges are timely.  We need to know when they are happening in real time. We complain the media is a vacuum but if you block media from the beginning, how can they cover the story? After the form has been privately submitted, who are the trusted individuals?

    Yes, FOIA allows the public to see everything and that's a good thing. It can help us strategize, prepare and look for patterns for the next banned book challenge. I'm really more concerned about current challenges and finding the source. Some state intellectual freedom groups are being disbanded.  Maybe, my question really should be--how can the people help?

    Thanks so much for your input! 

    Ann



    ------------------------------
    --------------------------------------------------------------------
    Ann Crewdson, MLIS
    Children's Specialist
    Issaquah/Sammamish
    East Region
    King County Library System
    P: 425.392.5430
    E: crewdson@kcls.org
    http://www.kcls.org

    Preferred Pronouns: She, Her, and Hers
    --------------------------------------------------------------------
    ------------------------------



  • 10.  RE: Challenged comics and graphic novels

    Posted May 16, 2019 11:21 AM
    I think that's a good point: how do people sound the alarm about issues when they actually do want/need that outside help. The few times that I've experienced that, mostly in the context of chairing Georgia's Intellectual Freeodm Interest Group, we've deferred to the wishes of the person going through the challenge. If they wanted us to write letters of support or have people show up at meetings, we would help publicize that. If all they wanted was someone to listen and to help guide them through the process, we would provide that too.

    I think IFRT has a bigger place in having a voice and offering to be boots on the physical and digital ground, and letting people know that this community exists of people who can support in all the ways that are needed could potentially be very helpful. There's over 1,200 members of IFRT, and I think they would be more than willing to help their colleagues with any issues. Figuring out how to make that work on an infrastructure level would be challenging, but it may very well prove worth it.


    In my experience, the biggest threat to IF from a censorship point of view has never been the public; it's always been staff. People fear a challenge and the baggage that comes with it, so they make choices that they think will keep them safe, and this disproportionately affects materials for diverse populations of all types. So I think another angle on fighting this battle is staff education and bringing up these conversations so they don't get pushed to the side.

    A lot of IF groups are going inactive, with my own stage group teetering there. Partially, I think that this is because pieces of the IF community have not succeeded in proving how IF applies to day-to-day work. When faced with a shortage of resources and increasing community demands, these issues can feel esoteric. So making them feel real and visceral is something that could help. But a lot of it boils down to time and energy: the time to make these plans, the energy to execute them, and the time and energy of the receiving side to engage with them. People don't think they need IF support until a problem happens, and by then, it feels like it's too late to do anything but triage.

    I think this is a good conversation to have, especially since most of us don't have strong internal IF networks inside our institutions, so what can we do to have each others backs?

    ------------------------------
    John Mack Freeman
    Branch Manager
    Gwinnett County Public Library
    ------------------------------



  • 11.  RE: Challenged comics and graphic novels

    Posted May 20, 2019 08:42 PM
    Without saying a lot about things going on that I am aware of ( keeping it private), I will say that what I have figured out sometimes is I want to win the war. I had a discussion with a director in our state, about a situation, and we could go big, call out the media, and maybe win a battle, but maybe if we ride things out, have conversations and facilitate communication we can have an overall win.  I have said the past couple of years that I am no longer about being an Intellectual Freedom Fighter, but rather an Intellectual Freedom Navigator. We develop a strategy that in the long run, will help people work things out themselves. 

    It may take a while, but the alternative might be to back someone in a corner and lose it all.  I'm going to trust in the goodness of people and see what happens.

    ------------------------------
    Wanda Huffaker
    Librarian
    Salt Lake County Library
    ------------------------------



  • 12.  RE: Challenged comics and graphic novels

    Posted May 21, 2019 03:23 PM
    Edited by Ann Crewdson May 21, 2019 03:27 PM

    I'm glad you brought up the point that you don't like to be called an "intellectual freedom fighter."  Personally, I don't mind calling myself an intellectual freedom fighter because we are fighting against censorship.  However, if preferred, intellectual freedom defender, intellectual freedom keeper, intellectual freedom protector works, too. 

    To all who've mentioned IF training.  I think it's super that regular staff (whether public or school) are trained to handle intellectual freedom issues! Kudos to the library systems and schools who realize the importance of training.  Sometimes challenges are elevated to the top and the outcome is not shared. Then the question becomes-why do we train people on how to handle intellectual freedom issues when they don't get to handle them? There needs to be more transparency in some organizations.  Just my opinion.

    As I was saying in my post to GNCRT, I understand the many reasons why institutions choose to resolve things "privately." The down side is--keeping things private gives an appearance that challenges and bans are not as prevalent as the "olden" days.  We all know that's not true. Of course, by its very nature, we may never know how many "private challenges" happen annually. That invisibility make backfire on us. Numbers effect resources, viability of groups, functionality, etc.

    Letting good people decide whether they want their material challenges resolved publicly or privately is both positive and negative. Do know that there are good people on all sides.  We are afraid of the media blowing everything out of proportion and "the other people."  I personally know of journalists who are advocates of intellectual freedom. I know plenty of level-headed people who are intellectual freedom advocates. There are lawyers, journalists, IT people--people from many proffessions among us.  "People" are not all mobs-they are "us."  We must learn to trust that there are people willing to help on the outside as well as the inside. 

    Thanks for the conversation!

    Ann

     

     



    ------------------------------
    --------------------------------------------------------------------
    Ann Crewdson, MLIS
    Children's Specialist
    Issaquah/Sammamish
    East Region
    King County Library System
    P: 425.392.5430
    E: crewdson@kcls.org
    http://www.kcls.org

    Preferred Pronouns: She, Her, and Hers
    --------------------------------------------------------------------
    ------------------------------



  • 13.  RE: Challenged comics and graphic novels

    Posted May 21, 2019 04:04 PM
    My apologies for the incorrect paragraph that's coming through email.  This is the correct paragraph:

    "To all who've mentioned IF training.  I think it's super that regular staff (whether public or school) are trained to handle intellectual freedom issues! Kudos to the library systems and schools who realize the importance of training.  Sometimes challenges are elevated to the top and the outcome is not shared. Then the question becomes-why do we train people on how to handle intellectual freedom issues when they don't get to handle them? There needs to be more transparency in some organizations.  Just my opinion."

    Please strike this sentence:  "Sometimes problems arise when those who've had training don't have the power to engage or make decisions make the wrong decisions."  That's not what I meant to convey.

    Thanks so much,

    Ann


    ------------------------------
    --------------------------------------------------------------------
    Ann Crewdson, MLIS
    Children's Specialist
    Issaquah/Sammamish
    East Region
    King County Library System
    P: 425.392.5430
    E: crewdson@kcls.org
    http://www.kcls.org

    Preferred Pronouns: She, Her, and Hers
    --------------------------------------------------------------------
    ------------------------------



  • 14.  RE: Challenged comics and graphic novels

    Posted May 22, 2019 08:38 AM
    "...why do we train people on how to handle intellectual freedom issues when they don't get to handle them?" That's a good question. They do get to handle them: pages, maintenance workers, board members, and anyone else who recognizably represents the library can and will be engaged by community members both inside and outside the library when there is a challenge. Chances are, if someone is upset by something in the collection, they have told other people in the community. Library staff should be prepared to have those conversations wherever they occur.  

    That being said, your point is well-taken that if libraries want to handle challenges quietly, how does that affect the relevancy of IF organization? I think the primary role of state and national IF organizations should be educational support (including training people to at least report all challenges, even when they are resolved quickly/privately); that is something that benefits all libraries and library workers. The secondary goal should be challenge support, as requested by the library in the midst of the challenge, whether it's public or private.   

    When graphic novels were challenged at my library, we received support from ALA for which I'm really grateful. J. Douglas Archer came for training and conversations with staff and was present at at least one board meeting. We were put in touch with libraries across the country who had faced similar challenges; that was very heartening. When the community members who challenged the materials went public through letters to the editor, local library advocates responded in kind. I strongly believe library advocates are cultivated through those conversations mentioned above.

    ------------------------------
    Darcy Armstrong
    Public Service Manager
    Eckhart Public Library
    ------------------------------



  • 15.  RE: Challenged comics and graphic novels
    Best Answer

    Posted May 21, 2019 02:34 PM

    John,

    Thanks for articulating my thoughts and for verifying that other state intellectual freedom groups are on the verge of going inactive as well. You said,
    "Figuring out how to make that work on an infrastructure level would be challenging, but it may very well prove worth it." I agree. If there are 1200 members, there are 1200 people interested in intellectual freedom issues.  Not everyone has the time or energy to drive out to attend board meetings.  Exactly! Those who can, who are willing to be at the forefront, should have an easier avenue to support libraries undergoing material and service challenges. We can make an impact if we can find a way.
    I think it would take a conscious effort.  We're all so busy--but somehow we have to put intellectual freedom at the top of our priority lists. 

    I appreciate you sharing your expertise and adding to the discussion.

    -Ann



    ------------------------------
    --------------------------------------------------------------------
    Ann Crewdson, MLIS
    Children's Specialist
    Issaquah/Sammamish
    East Region
    King County Library System
    P: 425.392.5430
    E: crewdson@kcls.org
    http://www.kcls.org

    Preferred Pronouns: She, Her, and Hers
    --------------------------------------------------------------------
    ------------------------------